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NAME:Salt Lake City Public Library
X-WR-CALNAME:Salt Lake City Public Library
BEGIN:VEVENT
UID:af8dda42-7fca-42e3-b51d-c01f6d891ab0
SEQUENCE:0
DTSTAMP:20260722T173054Z
DTSTART;TZID=America/Denver:20190119T160000
DTEND;TZID=America/Denver:20190119T173000
SUMMARY: Field Notes: Paintings by Susan Makov
LOCATION:Main Library\nMain Library
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Main Library;X-APPLE-RADIU
 S=10;X-TITLE=Main Library:geo:40.760082,-111.884841
GEO:40.760082;-111.884841
DESCRIPTION:Exhibit runs from Jan 19 - Mar 1.\nhttps://slcpl.libnet.info/e
 vent/1367672
X-ALT-DESC;FMTTYPE=text/html:<p><strong>Susan Makov will be giving a galle
 ry talk from 3:30-4pm.</strong></p>\n<p><strong>ARTIST STATEMENT</strong><
 /p>\n<p>&nbsp\;&ldquo\;No one sees trees. We see fruit\, we see nuts\, we 
 see wood\, we see shade. We see ornaments or pretty fall foliage. Obstacle
 s blocking the road or wrecking the ski slope. Dark\, threatening places t
 hat must be cleared. We see branches about to crush our roof. We see a cas
 h crop. But trees&mdash\;trees are invisible.&rdquo\; - Richard Powers\,&n
 bsp\;The Overstory</p>\n<p>Some personal interests are known to us our ent
 ire lives. Other interests take an entire life before we truly understand 
 our passions.&nbsp\;Until moving west from New York in 1977\, my life&rsqu
 o\;s chapters in art reflected formal design. Since then\, I have explored
  the land of the west\, its history\, and its form.&nbsp\;A 1988 artist&rs
 quo\;s residency at Ucross\, Wyoming renewed my excitement about painting.
 &nbsp\;</p>\n<p>My recent paintings embrace observation\, elements of phot
 ography and digital assemblage\, with an intuitive appreciation for the na
 tural world.&nbsp\;Photography has been my visual note taking.&nbsp\;Worki
 ng this way through woodcuts and paint\, I respond to the land&rsquo\;s fo
 rmal beauty\,&nbsp\;a joyful way of discovering various aspects of the wor
 ld. What excites me the most are the textures and patterns of the forests.
  Many stands of trees create intriguing patterns that are reminiscent of c
 alligraphy. For me\, they create a kind of language\, realizing that the c
 ommunities of trees are not silent.</p>\n<p>Most recently\, I found forest
 s in distress. The forests are responding to drought\, pollution and envir
 onmental issues that are not always obvious.</p>\n<p>My interests concern 
 making the details of shrinking forests visible. My work explores unexpect
 ed discoveries. The smallest elements of the forest reflect drastic change
 s in climate. Sometimes the trees celebrate their own existence and overco
 me challenges. Or a forest might reflect pressures from outside. Increasin
 g fires and insect damage\, floods and droughts devastate acres of forests
 . All are detectable with the visible eye.</p>\n<p>A community of trees ma
 y be older than any made by humans. Recent discoveries find that trees com
 municate with each other. My paintings reflect how trees communicate with 
 me.</p>\nhttps://slcpl.libnet.info/event/1367672
URL;VALUE=URI:https://slcpl.libnet.info/event/1367672
ATTACH:https://static.libnet.info/images/events/slcpl/EXBT_Field-Notes-Pai
 ntings.jpg
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