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VERSION:2.0
PRODID:-//sebbo.net//ical-generator//EN
NAME:Berkeley Public Library
X-WR-CALNAME:Berkeley Public Library
BEGIN:VEVENT
UID:ebdbc78f-da23-4fa1-80c7-e7825080379e
SEQUENCE:0
DTSTAMP:20261103T074808Z
DTSTART;TZID=America/Los_Angeles:20251004T143000
DTEND;TZID=America/Los_Angeles:20251004T170000
SUMMARY:DragonBeard Screening w/ Playwright Clara Hsu 
LOCATION:Central Library\nCentral Library
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Central Library;X-APPLE-RA
 DIUS=10;X-TITLE=Central Library:geo:37.8681967,-122.2684903
GEO:37.8681967;-122.2684903
DESCRIPTION:DragonBeard Screening w/ Playwright Clara Hsu .\nhttps://berke
 leypubliclibrary.libnet.info/event/14307212
X-ALT-DESC;FMTTYPE=text/html:<p><strong>Join us for a special video screen
 ing of the Cantonese stage play DragonBeard\, along with Q&amp\;A with Pla
 ywright and Producer Clara Hsu. More details coming soon!</strong></p>\n<p
 >Video version of DragonBeard is directed by Anna Sophie Loewenberg.</p>\n
 <p><img src="https://static.libnet.info/frontend-images/editor/berkeleypub
 liclibrary/DBPoster_in_English__amp__Chinese.jpeg" width="529" height="530
 " alt="" /></p>\n<p></p>\n<p>《昧夜之交》æ˜
 ¯èˆŠé‡‘山詩人馬文蕙第一éƒ
 ¨ç”¨ç²µèªžå¯«æˆçš„廣東話劇。
 該劇描述一位年輕移民的å
 ›°å¢ƒå’ŒæŽ™æ‰Žï¼Œä»¥åŠå¥¹å¦‚何é
 €éŽå››ä½ç•°å¸¸çš„朋友來克
 服心理的挑戰。</p>\n<p><br />DragonBeard&
 nbsp\;is the first Cantonese stage play written by San Francisco poet Clar
 a Hsu. The play tells the story of the plight of a young immigrant\, and h
 ow she overcomes her challenges after befriending four mystical friends.&n
 bsp\;</p>\n<p><br />馬文蕙找不到有é—
 œèˆŠé‡‘山灣區粵語話劇的資
 料。透過歷史學家David Lei才çŸ
 ¥é“約二十五年前在舊金山
 唐人街上演的最後一部戲å
 Š‡æ˜¯ç”¨ç™½è©±å¯«æˆçš„，題為ã€
 Š&nbsp\;花園角過客》。而在ç´
 ç´„，四海劇團50多年來一ç
 ›´ç©æ¥µè£½ä½œç²µèªžè©±åŠ‡ã€‚&nbsp\;é¦
 ¬æ–‡è•™å¾—知以後深受感動\,&
 nbsp\;因此寫下了《昧夜之交ã
 €‹ä»¥è¤’表粵語和新移民的å
 ®¶åº­ã€‚</p>\n<p><br />There hasn&rsquo\;t been any Cantonese pl
 ay in San Francisco Chinatown since the late 90s. Through historian David 
 Lei\, Clara was able to see the script of the last Cantonese play\, titled
  "Portsmouth Square." While in New York City\, the Four Seas Players have 
 been actively producing Cantonese plays for over 53 years. Inspired by the
  Four Seas Players in using drama to uplift the Cantonese language\, Clara
  wrote&nbsp\;DragonBeard&nbsp\;in honor of her mother tongue and the new i
 mmigrant families that she befriended through Clarion's children theater.<
 /p>\n<p><br />很多移民由於沒有接
 觸過西方文化和教育，都
 是靠自己的智慧生存。&nbsp\;
 有人可能會問：現在的現å¯
 ¦æ˜¯å¦è©²å¦å®šéŽåŽ»ï¼Ÿ&nbsp\;在美åœ
 ‹å‡ºç”Ÿé•·å¤§çš„人對於移民éƒ
 ½æœ‰ä»–們自己的看法。&nbsp\;
 移民對他們的新國家及其
 人民有他們的看法。&nbsp\;ä
 ¸€å€‹äººçš„現實就是另一個ä
 ººçš„幻想。&nbsp\;幻想與現實äº
 ¤ç¹”融合，置身於魔幻寫實ç
 š„境界。</p>\n<p><br />Coming into a new country is like
  falling into an inexplicable dream. Without previous exposure to Western 
 culture and education\, immigrants survive by their own wit. Some might wo
 nder: should the reality of the present negate the past?&nbsp\;Those who a
 re born and raised in the United States have their own ideas about immigra
 nts. Immigrants have their own ideas about their new country and its peopl
 e. One&rsquo\;s reality is the other&rsquo\;s fantasy. Fantasy and reality
  interspersed and fused together\, and thus we exist in a realm of magical
  realism.</p>\nhttps://berkeleypubliclibrary.libnet.info/event/14307212
URL;VALUE=URI:https://berkeleypubliclibrary.libnet.info/event/14307212
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