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NAME:Regina Public Library
X-WR-CALNAME:Regina Public Library
BEGIN:VEVENT
UID:3cb16be9-36d4-4046-9e1b-94157d3eb17c
SEQUENCE:0
DTSTAMP:20260731T212856Z
DTSTART;TZID=America/Regina:20260829T200000
DTEND;TZID=America/Regina:20260829T233000
SUMMARY:Nuit Blanche: Spectra 2
LOCATION:Film Theatre\nFilm Theatre
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Film Theatre;X-APPLE-RADIU
 S=10;X-TITLE=Film Theatre:geo:50.448552,-104.614452
GEO:50.448552;-104.614452
DESCRIPTION:Free Admission | Saturday\, August 29th - 8:00 PM - 11:30 PM C
 ST | Canada | 2026 | 210 min | NR | Directed by Various.\nhttps://rpl.libn
 et.info/event/17085994
X-ALT-DESC;FMTTYPE=text/html:<p>Nuit Blanche Regina is a transformative af
 ter-dark arts festival that affords goers the opportunity to experience ar
 t like never before. For one night\, Regina&rsquo\;s Downtown is taken ove
 r by artists and creatives in an attempt to disrupt the concept of an urba
 n environment. This year\, artists step into The Great Unknown\, a themati
 c exploration of what lies beyond our understanding or control.</p>\n<p>En
 joy two multi-media performances from travelling artists in the RPL Film T
 heatre!</p>\n<p><strong>Matthew Cardinal</strong> (Edmonton) &amp\; <stron
 g>Stephanie Kuse</strong> (Saskatoon) - <strong>9:00 PM</strong></p>\n<p>M
 atthew Cardinal&nbsp\;is an amiskwaciy (Edmonton) -based musician\, compos
 er\, and sound designer\, known for his work with Polaris Short List nomin
 ee group&nbsp\;n&ecirc\;hiyawak. His music moves from delicate\, minimalis
 t pieces to vast drones and sparkling\, modular synthesizer compositions.<
 /p>\n<p>Stephanie Kuse&nbsp\;is a Saskatoon-based media artist working wit
 h digitally manipulated video footage of natural textures to create painte
 rly abstract video art. She amplifies and distorts details pulled from pat
 terns and textures found in nature. The resulting compositions are vibrant
  and synthetic\, maintaining the organic energy and movement derived from 
 the source material.&nbsp\;</p>\n<p>The pairing of&nbsp\;Cardinal&rsquo\;s
  meditative audio journal entries with&nbsp\;Kuse&rsquo\;s sparkling visua
 ls results in an enveloping and otherworldly A/V experience.</p>\n<p><a hr
 ef="https://arts-crafts.ca/artists/matthew-cardinal.html">https://arts-cra
 fts.ca/artists/matthew-cardinal.html</a><br /><a href="https://sckuse.net/
 ">https://sckuse.net/</a></p>\n<p><strong>Seulement </strong>(Montr&eacute
 \;al) - <strong>10:00 PM</strong></p>\n<p>Seulement is the solo project of
  Mathieu Arsenault\, an electronic musician and audiovisual artist from Mo
 ntreal. His work explores the imperfections of the human body in our era o
 f technological perfection. More specifically\, he is interested in the in
 tegration and transformation of the human voice and gesture in digital art
 s. First known as the lead singer of the electronic rock band Technical Ki
 dman\, his solo practice now extends toaudiovisual performances\, as well 
 as albums and experimental films. His work has been presented at numerous 
 festivals including MUTEK Montr&eacute\;al (CA)\, ELEKTRA (CA)\, Videocitt
 &agrave\; (IT)\, Modular M+ (HN)\, CODEC<br />(PE)\, Lunchmeat (CZ)\, Wave
 length (CA)\, Sound/Image (UK)\, International Film Festival Rotterdam (NL
 )\, Festival International des Films sur l&rsquo\;Art (CA)\, Iceland Airwa
 ves (IS) and<br />Suoni Per Il Popolo (CA).</p>\n<p><em>Bricolage Architec
 ture</em> is an audiovisual performance that combines stop-motion animatio
 n and live modular synthesis. It features minimal\, hyper-flickering geome
 tric abstractions reminiscent of computer-generated images. The difference
  being that they are all handmade using cardboard cutouts photographed on 
 a light tablet. Aside from editing and cropping\, no digital processing is
  applied to the photos. They are shown as they were taken\, without concea
 ling the imperfections in their lines\, the tears in the cardboard\, and t
 he imprecisions in their movements. Rather than using purely electronic so
 unds\, the music also opts for a more<br />physical approach. It is constr
 ucted from snippets of recordings of my own voice that are transformed liv
 e using the modular synthesizer. To simplify my approach\, we could say th
 at I use my hands to create shapes that mimic digital imagery and that I u
 se my voice to produce sounds that resemble electronic synthesis. By imita
 ting technological processes with the body\, the<br />performance seeks to
  incorporate the human gesture back into the digital arts practices which 
 tend more and more towards<br />depersonalization.</p>\n<p>Pushing the bod
 y to imitate what the machine can perfectly execute generates imperfection
 s in both sound and image. However\, the tears in the paper and the trembl
 ing of the voice are exactly what the performance attempts to highlight. T
 his process induces a human feel to sounds and images we more often associ
 ate with a digital aesthetic. In this way\, Bricolage Architecture creates
  a tension between the irregularities of the human gesture and the systema
 tic execution of the machine. It questions the position of the &ldquo\;imp
 erfect&rdquo\; human body in our world of so-called &ldquo\;technological 
 perfection&rdquo\;. The performance has been presented by MUTEK and ELEKTR
 A in Montreal\, by MUTEK MX in Mexico City (MX)\, MUTEK AR in Buenos Aires
  (AR)\, M+ Modular in Tegucigalpa (HN)\, Videocitt&agrave\; in Rome (IT)\,
  CODEC in Lima (PE).</p>\n<p><a href="https://www.mathieuseulement.com/">h
 ttps://www.mathieuseulement.com/</a></p>\n<p></p>\nhttps://rpl.libnet.info
 /event/17085994
URL;VALUE=URI:https://rpl.libnet.info/event/17085994
ATTACH:https://static.libnet.info/images/events/rpl/Spectra-Communico.jpg
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