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NAME:DC Public Library
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UID:e4d05efc-6e5d-4b6a-b947-e34369223a6a
SEQUENCE:0
DTSTAMP:20261019T173601Z
DTSTART;TZID=America/New_York:20261118T190000
DTEND;TZID=America/New_York:20261118T203000
SUMMARY: Panel Discussion: Go-Go Remembered
LOCATION:Martin Luther King Jr. Memorial Library - Central Library\nMartin
  Luther King Jr. Memorial Library - Central Library
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Martin Luther King Jr. Mem
 orial Library - Central Library;X-APPLE-RADIUS=10;X-TITLE=Martin Luther Ki
 ng Jr. Memorial Library - Central Library:geo:38.8986823,-77.024871
GEO:38.8986823;-77.024871
DESCRIPTION:Exploring the stories\, people\, and history behind DCâ€™
 s defining musical tradition..\nhttps://dclibrary.libnet.info/event/176641
 86
X-ALT-DESC;FMTTYPE=text/html:<p>How do you document a cultural movement th
 at is still growing\, changing\, and being lived every day?</p>\n<p>In thi
 s engaging conversation\, cultural curator Sundiata Ramin\, musician and h
 istorian Kato Hammond\, journalist and cultural historian Alona Wartofsky\
 , and civic leader and cultural advocate Charles C. Stephenson Jr. reflect
  on the work of preserving Go-Go&rsquo\;s story. From oral histories and f
 irsthand experience to books\, film\, journalism\, photography\, and commu
 nity archives\, the panelists will consider who gets remembered\, whose vo
 ices must be centered\, and what it means to protect Go-Go as both an art 
 form and a cornerstone of DC identity.</p>\n<p>Audiences will gain insight
  into Chuck Brown&rsquo\;s far-reaching influence\, the evolution of Go-Go
 \, and the people committed to keeping its history alive.</p>\n<p></p>\n<h
 4>About the Panelists</h4>\n<p><span style="text-decoration: underline\;">
 <img src="https://static.libnet.info/frontend-images/editor/dclibrary/Sund
 iata_Ramin_Headshot.jpg" width="175" height="227" alt="" style="float: lef
 t\; margin: 0px 20px 20px 0px\;" /></span>Sundiata Ramin is a cultural cur
 ator and educator dedicated to preserving the legacy of Washington\, D.C.&
 rsquo\;s go-go music. He serves as the Curator and Director of Tours at th
 e Go-Go Museum &amp\; Caf&eacute\;\, a role he has held since the museum&r
 squo\;s opening in 2025.<br />An accomplished percussionist\, Ramin has ta
 ught go-go percussion in Ghana\, West Africa\, helping to expand the music
 &rsquo\;s reach beyond the United States.</p>\n<p></p>\n<p></p>\n<p></p>\n
 <p>&nbsp\;</p>\n<p>&nbsp\;</p>\n<p>&nbsp\;</p>\n<p>&nbsp\;</p>\n<p>&nbsp\;
 <img src="https://static.libnet.info/frontend-images/editor/dclibrary/Kato
 Hammond-Headshot.jpg" width="175" height="263" alt="" style="float: left\;
  margin: 0px 20px 20px 0px\;" />Kato&nbsp\;Hammond&nbsp\;is a Washington\,
  D.C. musician\, author\, filmmaker\, cultural historian\, and founder of 
 TMOTTGoGo\, one of the longest-running platforms dedicated to documenting 
 Go-Go music and culture. A longtime guitarist\,&nbsp\;Hammond&nbsp\;is als
 o a former member of Little Benny &amp\; The Masters\, giving him firsthan
 d experience inside the music and culture he has spent decades documenting
 . For more than 30 years\, he has chronicled the people\, history\, sound\
 , and evolution of Go-Go through journalism\, books\, film\, photography\,
  and digital media. He is the author of&nbsp\;Take Me Out to the Go-Go: Th
 e Autobiography of&nbsp\;Kato&nbsp\;Hammond&nbsp\;and co-author of&nbsp\;C
 RANKIN!: Power and Resilience in Washington\, DC&rsquo\;s Go-Go Culture\, 
 published by Georgetown University Press.</p>\n<p></p>\n<p></p>\n<p></p>\n
 <p></p>\n<p></p>\n<p></p>\n<p></p>\n<p>&nbsp\;</p>\n<p>&nbsp\;</p>\n<p></p
 >\n<p>&nbsp\;</p>\n<p><img src="https://static.libnet.info/frontend-images
 /editor/dclibrary/Alona_Wartofsky.png" width="175" height="196" alt="" sty
 le="float: left\; margin: 0px 20px 20px 0px\;" /></p>\n<p>The lead author 
 of Crankin! Power and Resilience in Washington\, DC&rsquo\;s Go-Go Culture
 \, Alona Wartofsky is a former staff writer and culture editor for The Was
 hington Post. She has been writing about go-go since the mid-&rsquo\;80s\,
  and her stories about the music have appeared in The Washington Post\, Wa
 shington City Paper\, Spin\, LA Weekly\, and craftsmanship.net.</p>\n<p></
 p>\n<p></p>\n<p></p>\n<p></p>\n<p></p>\n<p>&nbsp\;</p>\n<p>&nbsp\;</p>\n<p
 >&nbsp\;&nbsp\;</p>\n<p>&nbsp\;&nbsp\;</p>\n<p><img src="https://static.li
 bnet.info/frontend-images/editor/dclibrary/Charles_Stephenson.png" width="
 175" height="263" alt="" style="float: left\; margin: 0px 20px 20px 0px\;"
  /></p>\n<p>Charles C. Stephenson\, Jr. is a lifelong political and cultur
 al activist whose work spans Washington\, DC and beyond. Born in Harlem an
 d raised in Mt. Vernon\, he moved to DC after serving in the U.S. Army and
  went on to build a 30-year career on Capitol Hill\, culminating as Legisl
 ative Director for Congressman Ronald V. Dellums. Alongside his profession
 al work\, he supported grassroots voter education efforts and co-chaired t
 he Malcolm X Day Celebration in Anacostia Park for 25 years.</p>\n<p>He is
  the co-author of The Beat: Go-Go Music From Washington\, D.C. and a forme
 r chair of the DC Commission on the Arts and Humanities\, where he helped 
 expand access to city-funded arts programs. Now based in Raleigh\, he cont
 inues his civic engagement through leadership roles in the NC Democratic P
 arty\, the African American Cultural Festival\, and as Chair of the Board 
 for RAP\, Inc. He also serves as an advisor and board member for the Go-Go
  Museum and Caf&eacute\;.</p>\nhttps://dclibrary.libnet.info/event/1766418
 6
URL;VALUE=URI:https://dclibrary.libnet.info/event/17664186
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