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PRODID:-//sebbo.net//ical-generator//EN
NAME:DC Public Library
X-WR-CALNAME:DC Public Library
BEGIN:VEVENT
UID:cf9dae12-6bb2-489a-b2ed-51a142db97c8
SEQUENCE:0
DTSTAMP:20261021T220058Z
DTSTART;TZID=America/New_York:20261118T180000
DTEND;TZID=America/New_York:20261118T193000
SUMMARY:Author Talk: Two West Indians Walk into a Movementâ€¦
LOCATION:West End Neighborhood Library\nWest End Neighborhood Library
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=West End Neighborhood Libr
 ary;X-APPLE-RADIUS=10;X-TITLE=West End Neighborhood Library:geo:38.904044,
 -77.050548
GEO:38.904044;-77.050548
DESCRIPTION:Garvey\, Belafonte\, and Music-Based Political Organizations i
 n America.\nhttps://dclibrary.libnet.info/event/17706993
X-ALT-DESC;FMTTYPE=text/html:<p>Visit West End Library for an Author Talk 
 with local writer\, producer and author\, Norman Kelley!</p>\n<p>In this t
 alk\, Mr. Kelley will explore two Caribbean-born figures who became centra
 l to Black political life in the United States: Marcus Garvey and Harry Be
 lafonte.</p>\n<p>Garvey built the Universal Negro Improvement Association 
 (UNIA)\, the largest early 20th century Black mass movement\, while Belafo
 nte later used his fame and resources to bolster Martin Luther King Jr.\, 
 the Southern Christian Leadership Conference (SCLC)\, and the wider civil 
 rights movement. The talk asks a rarely considered question: why did movem
 ents so reliant on Black music never develop music-based political organiz
 ations that could turn cultural power into lasting political and economic 
 institutions?</p>\n<p>Exploring Garvey&rsquo\;s bands\, choirs\, Liberty H
 alls\, and business ventures\, alongside Belafonte&rsquo\;s fundraising ne
 tworks and ties to Hollywood and political power in Washington\, the lectu
 re considers what an organized musical infrastructure might have made poss
 ible&mdash\;from UNIA-linked music schools\, to a coordinated performance 
 circuit\, to a permanent organization built around the principle of &ldquo
 \;concerts by night\, organizing workshops by day.&rdquo\; Kelley's claim 
 is not that music alone could have overcome racism or internal conflict\; 
 instead\, he examines how an existing cultural economy might have been con
 verted into collective political capacity and durable Black institutions.<
 /p>\n<h4>About the Author</h4>\n<p>Norman Kelley is the author of <em>The 
 Head Negro in Charge Syndrome: The Dead End of Black Politics</em> (Nation
  Books\, 2004) and the editor of <em>R&amp\;B (Rhythm and Business): The P
 olitical Economy of Black Music</em> (Akashic Books\, 2002). His fiction i
 ncludes <em>Black Heat</em>\, <em>The Big Mango</em>\, and <em>A Phat Deat
 h</em>. He produced and directed the documentary <em>How Washington Really
  Works: Charlie Peters and the Washington Monthly</em> (2013)\, created th
 e podcast series <em>From Black Power to Black Trauma</em> (2023)\, and ha
 s appeared on NPR&rsquo\;s <em>Tavis Smiley</em> and C-SPAN&rsquo\;s <em>W
 ashington Journal</em>. Kelley was also featured in <em>Paid in Full: The 
 Battle for Black Music</em>\, a BBC/CBC documentary executive produced by 
 Idris Elba. This lecture series draws from his research for his current pr
 oject <em>An Industry Beneath Their Feet: The Mismanagement and Exploitati
 on of Black Music</em>.</p>\nhttps://dclibrary.libnet.info/event/17706993
URL;VALUE=URI:https://dclibrary.libnet.info/event/17706993
ATTACH:https://static.libnet.info/images/events/dclibrary/Two_West_Indians
 _Walk_Into_A_Movement.jpg
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