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UID:2006b908-7359-4519-a1e0-447ff73d0472
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DTSTAMP:20260812T091638Z
DTSTART;TZID=America/New_York:20221019T190000
DTEND;TZID=America/New_York:20221019T200000
SUMMARY:Maria Tatar on "The Heroine with 1\,001 Faces"
LOCATION:Virtual Branch\nVirtual Branch
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DESCRIPTION:World-renowned folklorist Maria Tatar joins the Prince George
 â€™s County Memorial Library System and the Prince Georgeâ€™s Co
 unty Office of Human Rights to discuss her fascinating and much-needed his
 tory\, The Heroine with 1001 Faces..\nhttps://pgcmls.libnet.info/event/680
 7529
X-ALT-DESC;FMTTYPE=text/html:<p style="text-align: center\;"><iframe width
 ="560" height="315" src="https://www.youtube-nocookie.com/embed/1gLGUbYwU0
 k" title="YouTube video player" frameborder="0" allow="accelerometer\; aut
 oplay\; clipboard-write\; encrypted-media\; gyroscope\; picture-in-picture
 " allowfullscreen="allowfullscreen"></iframe></p>\n<p>W.W. Norton describe
 s the work as follows:</p>\n<p>"The Heroine with 1\,001 Faces&nbsp\;disman
 tles the cult of warrior heroes\, revealing a secret history of heroinism 
 at the very heart of our collective cultural imagination.&nbsp\;Maria&nbsp
 \;Tatar\, a leading authority on fairy tales and folklore\, explores how h
 eroines\, rarely wielding a sword and often deprived of a pen\, have flown
  beneath the radar even as they have been bent on redemptive missions. Dep
 loying the domestic crafts and using words as weapons\, they have found wa
 ys to survive assaults and rescue others from harm\, all while repairing t
 he fraying edges in the fabric of their social worlds. Like the tongueless
  Philomela\, who spins the tale of her rape into a tapestry\, or Arachne\,
  who portrays the misdeeds of the gods\, they have discovered instruments 
 for securing fairness in the storytelling circles where so-called women&rs
 quo\;s work&mdash\;spinning\, mending\, and weaving&mdash\;is carried out.
 </p>\n<p>Tatar challenges the canonical models of heroism in Joseph Campbe
 ll&rsquo\;s&nbsp\;The Hero with a Thousand Faces\, with their male-centric
  emphasis on achieving glory and immortality. Finding the women missing fr
 om his account and defining their own heroic trajectories is no easy task\
 , for Campbell created the playbook for Hollywood directors. Audiences aro
 und the world have willingly surrendered to the lure of quest narratives a
 nd charismatic heroes. Whether in the form of Frodo\, Luke Skywalker\, or 
 Harry Potter\, Campbell&rsquo\;s archetypical hero has dominated more than
  the box office.&nbsp\;</p>\n<p>In a broad-ranging volume that moves with 
 ease from the local to the global\, Tatar demonstrates how our new heroine
 s wear their curiosity as a badge of honor rather than a mark of shame\, a
 nd how their &ldquo\;mischief-making&rdquo\; evidences compassion and conc
 ern. From Bluebeard&rsquo\;s wife to Nancy Drew\, and from Jane Eyre to Ja
 nie Crawford\, women have long crafted stories to broadcast offenses in th
 e pursuit of social justice. Girls\, too\, have now precociously stepped u
 p to the plate\, with Hermione Granger\, Katniss Everdeen\, and Starr Cart
 er as trickster figures enacting their own forms of extrajudicial justice.
  Their quests may not take the traditional form of a &ldquo\;hero&rsquo\;s
  journey\,&rdquo\; but they reveal the value of courage\, defiance\, and\,
  above all\, care.</p>\nhttps://pgcmls.libnet.info/event/6807529
URL;VALUE=URI:https://pgcmls.libnet.info/event/6807529
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