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NAME:Salt Lake City Public Library
X-WR-CALNAME:Salt Lake City Public Library
BEGIN:VEVENT
UID:747b8170-e88f-4b9c-a15d-022c65105774
SEQUENCE:0
DTSTAMP:20260729T003640Z
DTSTART;TZID=America/Denver:20230114T160000
DTEND;TZID=America/Denver:20230114T173000
SUMMARY:For the Love of My Belly
LOCATION:Main Library\nMain Library
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Main Library;X-APPLE-RADIU
 S=10;X-TITLE=Main Library:geo:40.760082,-111.884841
GEO:40.760082;-111.884841
DESCRIPTION:Art by Bea Hurd Â· Exhibit runs Jan 14 through Feb 24.\nhttp
 s://slcpl.libnet.info/event/7661421
X-ALT-DESC;FMTTYPE=text/html:<p><span style="text-decoration: underline\;"
 ><strong>Artist Statement</strong></span></p>\n<p>"I have decided to love 
 my stomach.</p>\n<p>The round curvaceous mound that I have carried with me
 .</p>\n<p>As she gained inches through life\, I chose to compress her unde
 r Spanx that were sizes too small. Form contouring tights hid under loose 
 fitting jeans\, leaving only gaps for breathe.</p>\n<p>I am curious if she
  was telling me to take up space.</p>\n<p>If my expanding waistline was ye
 lling at me to grab at more area on this earth. To stretch the skin around
  me and claim for myself this slightly larger circumference of life.</p>\n
 <p>I declare that my fat cells are my heroes.</p>\n<p>The only ones in my 
 body who owned up to the audacity of growth.</p>\n<p>On days that I felt w
 arms streams of tears crashing down red laced cheeks\, it was my stomach w
 ho dared to push out. She heaved at skin and made tapestry of gashes where
  resistance was met.</p>\n<p>I used to meet these gashes with superfluous 
 amounts of coco butter and overpriced skin serums. Slathering my body so h
 eavily that as I crawled in bed at night\, I could simultaneously butter m
 y sheets. Though these processes never once helped the state of my skin\, 
 that was not the matter. To me\, it was the ritual of the creams\, and the
  acknowledgment that I was vehemently in opposition to this appearance. I 
 was the enemy of my body\, and by what I have learned\, I am only to assum
 e this is the goal.</p>\n<p>The goal that is\,</p>\n<p>to be standing atop
  a scale\, face like a cherry tomato\, eyes\, avoiding the enticement of r
 elief that the nearby toilet could offer. I counted calories and jotted do
 wn numbers in biblical importance. The goal\, to stash half of my dinner u
 nder napkins\, vigorously do jumping jacks behind bedroom door sanctuary. 
 Guzzle water till stomach cramps made triumph to hunger pangs. My reality 
 had turned into a lifestyle dominated by bodily brutality taking guise as 
 health.</p>\n<p>I cried once when I ate a chocolate bar.</p>\n<p>I now see
  my stomach folds as skin reaching to lay soft kisses atop itself. My weig
 ht is my body holding me down to the earth\, in an attempt to remind me th
 at I am here.</p>\n<p>My stomach is a formidable presence of self-care."</
 p>\n<p></p>\n<p><span style="text-decoration: underline\;"><strong>Artist'
 s Bio:</strong></span></p>\n<p>Bea Hurd is a Salt Lake City based artist w
 ho studied Sculpture Intermedia at the University of Utah. After college\,
  she went on to teach art at West Jordan High School\, where she currently
  teaches. After realizing her devotion to materially based sculpture\, Bea
  uses her practice as a way to meditate on what has her mind at any given 
 moment.</p>\n<p>Cycling in and out of &ldquo\;material romances&rdquo\;\; 
 Bea seeks materials to form relationships with and allow them to persuade 
 her direction. As if it were the tango\, a push and pull between her needs
  and that of the material is established. Often her work feels like being 
 a contemporary anthropologist. When she wants to know about herself and th
 e community\, Bea looks at the materials frequently purchased\, endorsed\,
  and interacted with. Bea is most attracted to mass-produced consumer good
 s\, finding that what we endlessly reproduce radiates the aura of the make
 rs and consumers. She finds the most history in products of daily use. Tho
 se that are used\, consumed\, and disposed of read like newspaper of who b
 rings such materials into and out of existence so quickly. When searching 
 for explorations\, Bea probes supermarkets and gas stations\, thrift store
 s\, and her kitchen\, pining for materials she wants to understand differe
 ntly. Knowing that a material intriguing enough to enchant her for months 
 possesses within it a body of work.<br />&nbsp\;</p>\nhttps://slcpl.libnet
 .info/event/7661421
URL;VALUE=URI:https://slcpl.libnet.info/event/7661421
ATTACH:https://static.libnet.info/images/events/slcpl/For_The_Love_of_My_B
 elly.jpg
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