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NAME:Salt Lake City Public Library
X-WR-CALNAME:Salt Lake City Public Library
BEGIN:VEVENT
UID:89178e2f-be4d-472c-b338-01ca694ee322
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DTSTAMP:20260728T045703Z
DTSTART;TZID=America/Denver:20230414T120000
DTEND;TZID=America/Denver:20230414T170000
SUMMARY:10th Annual Performance Art Festival
LOCATION:Main Library\nMain Library
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Main Library;X-APPLE-RADIU
 S=10;X-TITLE=Main Library:geo:40.760082,-111.884841
GEO:40.760082;-111.884841
DESCRIPTION:It's a weekend of world-class performance art! Respected local
  and international artists will perform original\, unrehearsed art pieces 
 throughout the Main Library. Suitable for all ages. .\nhttps://slcpl.libne
 t.info/event/8094869
X-ALT-DESC;FMTTYPE=text/html:<p>Artists will be found throughout the Libra
 ry. Art actions can be as short as a few minutes or can be ongoing for sev
 eral hours.&nbsp\;</p>\n<p>This Festival receives support from the <a href
 ="https://saltlakearts.org/">Salt Lake City Arts Council\,</a>&nbsp\;the <
 a href="https://slclibraryfriends.org/">Friends of The City Library</a>\, 
 and the National Lottery through the Arts Council of Northern Ireland.<br 
 /><br /><strong>Schedule<br />Fri\, Apr 14 <br /></strong></p>\n<div class
 ="event">\n<table style="width: 100%\;">\n<tbody>\n<tr style="height: 36px
 \;">\n<td style="height: 36px\; width: 143px\;">Noon&ndash\;3pm<br />Libra
 ry Plaza (Outside)</td>\n<td style="height: 36px\; width: 259px\;"><header
 ><button data-toggle="collapse" data-target="#marilynarsem">+</button> <b>
 Marilyn Arsem</b><br /><i>&nbsp\; &nbsp\; &nbsp\; &nbsp\;Boston\, MA</i></
 header>\n<div id="marilynarsem" class="collapse"><br /><a href="http://mar
 ilynarsem.net" target="_blank" rel="noopener">Marilyn Arsem</a> has been c
 reating and performing live events for more than forty years\, presenting 
 her work in thirty countries around the globe. Based in Boston\, Massachus
 etts\, USA\, she also teaches performance art workshops internationally. A
  book on her work\, <i>Responding to Site: The Performance Work of Marilyn
  Arsem</i>\, edited by Jennie Klein and Natalie Loveless\, was recently pu
 blished by Intellect Books of the UK.<br /><br /></div>\n</td>\n<td style=
 "height: 36px\; width: 289px\;"><header><button data-toggle="collapse" dat
 a-target="#holdingground">+</button> <b><i>Holding Ground</i></b></header>
 \n<div id="holdingground" class="collapse"><br />How do we hold on? How do
  we endure? What can we save?<br /><br /></div>\n</td>\n</tr>\n<tr style="
 height: 36px\;">\n<td style="height: 36px\; width: 143px\;">Noon&ndash\;1p
 m<br />Urban Room</td>\n<td style="height: 36px\; width: 259px\;"><header>
 <button data-toggle="collapse" data-target="#defrancelenzi">+</button> <b>
 Lisa DeFrance</b><br /><i>&nbsp\; &nbsp\; &nbsp\; &nbsp\;Salt Lake City\, 
 UT</i><br /><br />&nbsp\; &nbsp\; &nbsp\; &nbsp\;<b>Kristina Lenzi</b><br 
 /><i>&nbsp\; &nbsp\; &nbsp\; &nbsp\;Salt Lake City\, UT</i></header>\n<div
  id="defrancelenzi" class="collapse"><br />\n<p>Lisa DeFrance works with t
 extiles and makes performance art. She is also a 1st grade teacher. She th
 inks a lot about health. The health of a body and the mind\, the health of
  a system\, institution\, city\, environment. Health is dependent upon rel
 ationships\; how we integrate and balance. During a performance she tries 
 to suspend judgment and create a condition necessary for relating. She lik
 es to find things that others have used and make new things with them. You
  can find some of these things at <a href="https://fernandreed.myportfolio
 .com/work">Fern &amp\; Reed</a></p>\n<p>Kristina Lenzi (1966\, Salt Lake C
 ity\, UT\, USA) lives in Midvale\, Utah. She holds a BFA from the Universi
 ty of Utah in drawing and painting and an MFA from Tufts University in aff
 iliation with the School of the Museum of Fine Arts\, Boston in multidisci
 plinary art. She teaches art at Weber State University. Lenzi is the found
 er and curator of Salt Lake City Performance Art Festival. She has perform
 ed throughout the United States\, and in Europe\, and has exhibited her dr
 awings and paintings nationally.</p>\n</div>\n</td>\n<td style="height: 36
 px\; width: 289px\;"><header><button data-toggle="collapse" data-target="#
 redplaygroundball">+</button> <b><i>Red Playground Ball</i></b></header>\n
 <div id="redplaygroundball" class="collapse"><br />\n<p>Counteracting the 
 bias of the brain&rsquo\;s focus on negative aspects of experience\, two w
 omen practice the power of recalling positive memories.</p>\n<br /><br /><
 /div>\n</td>\n</tr>\n<tr style="height: 36px\;">\n<td style="height: 36px\
 ; width: 140px\;">1:15&ndash\;2:15pm<br />Urban Room</td>\n<td style="heig
 ht: 36px\; width: 263px\;"><header><button data-toggle="collapse" data-tar
 get="#interdisciplinaryartscollective">+</button> <b>Interdisciplinary Art
 s<br />&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;Collective</b><br 
 /><i>&nbsp\; &nbsp\; &nbsp\; &nbsp\;Salt Lake City\, UT</i></header>\n<div
  id="interdisciplinaryartscollective" class="collapse"><br /><a href="http
 ://interdisciplinaryartscollective.com/">Interdisciplinary Arts Collective
 </a> is a local group of musicians\, dancers\, poets\, actors\, artists\, 
 and anti-artists. Our work focuses primarily on exploring the creative and
  communicative potential generated by the intersection and subversion of a
 rtistic disciplines\, particularly within the context of experimental and 
 contemporary performance practices<br /><br /></div>\n</td>\n<td style="he
 ight: 36px\; width: 289px\;"><header><button data-toggle="collapse" data-t
 arget="#fourarmsironing">+</button> <b><i>FLUXConcert</i></b></header>\n<d
 iv id="fourarmsironing" class="collapse"><br />FluxConcerts\, which were o
 riginally developed by Fluxus artists during a European performance tour i
 n 1962\, are characterized by the realization of Fluxus event scores. Thes
 e scores are text-based compositions that instruct the performers to inter
 pret and complete actions such as La Monte Young's Composition #10\, "Draw
  a straight line and follow it." Interdisciplinary Arts Collective's FLUXc
 oncert at this festival will draw on work from composers like George Brech
 t\, Yoko Ono\, Alison Knowles\, and others to feature multiple Flux scores
  that unfold\, intersect\, and overlap over the course of the performance\
 , ranging from the absurd to the absurdly serious.<br /><br /></div>\n</td
 >\n</tr>\n<tr style="height: 36px\;">\n<td style="height: 36px\; width: 14
 0px\;">Noon&ndash\;5pm<br />Urban Room</td>\n<td style="height: 36px\; wid
 th: 263px\;"><header><button data-toggle="collapse" data-target="#samforle
 nza">+</button> <b>Tatiana Svrckova Larsen</b><br /><i>&nbsp\; &nbsp\; &nb
 sp\; &nbsp\;Kansas</i></header>\n<div id="samforlenza" class="collapse"><b
 r />Tatiana Svrckova Larsen is a Slovakia-born artist known for her unique
  approach to art\, incorporating elements of fitness and physical movement
  into her work. She creates pieces that explore the human body and its rel
 ationship to movement\, using mediums such as sculpture\, painting\, and p
 erformance art. Her work aims to create a new perspective on fitness\, art
 \, and how they can be intertwined and also reflects on the process of ove
 rcoming burdens and physical challenges.<br /><br /></div>\n</td>\n<td sty
 le="height: 36px\; width: 289px\;"><header><button data-toggle="collapse" 
 data-target="#riseabove">+</button> <b><i>Rise Above: A Performance Art Ex
 ploration of Overcoming Personal Challenges and Empowerment</i></b></heade
 r>\n<div id="riseabove" class="collapse"><br />In the rich tradition of Au
 tomatism\, where there are no preconceived ideas and without regard to con
 tent or subject matter\, Sam will seek to harness &ldquo\;the creativity o
 f the unconscious mind&rdquo\; in the act of artistic creation. The goal o
 f this entirely spontaneous piece is to provide viewers the opportunity to
  witness the birth and formation of a never-before-seen work of art. By th
 e conclusion\, a new artwork will be totally or substantially completed. T
 he audience will share in the anticipation and excitement of being there <
 i>At the Creation</i>.<br /><br /></div>\n</td>\n</tr>\n<tr style="height:
  36px\;">\n<td style="height: 36px\; width: 140px\;">Noon&ndash\;5pm<br />
 Urban Room</td>\n<td style="height: 36px\; width: 259px\;"><header><button
  data-toggle="collapse" data-target="#paolapazyee">+</button> <b>Preach R 
 Sun</b><br /><i>&nbsp\; &nbsp\; &nbsp\; &nbsp\;US-based</i></header>\n<div
  id="paolapazyee" class="collapse">\n<p>U.S. based conjurer\, &lsquo\;wild
 erness preacher' and 'fugitivist' &mdash\; implements and</p>\n<p>espouses
 : political activism\, creative expression\, and spiritual (new ritual con
 structed) modalities as means to activate cognitive contemplation and awar
 eness in regards to the nature of freedom\, humanity and a universal (&lsq
 uo\;SOLE&rsquo\;) consciousness. Sun\, working at the interface between &l
 squo\;art&rsquo\;\, activism\, and spiritual practice\, simultaneously int
 egrates and deconstructs these multimodal languages of expression as means
  to identify and excavate the roots of freedom and humanity. Through acts 
 of creative consolidation involving spiritual processes of ritual\, with p
 rotest tactics and creative abstract performance strategies\, Sun also int
 errogates the nature and limits of these roots.</p>\n<p>Preach R Sun &mdas
 h\; continuously building upon his living body of work\, OneMan: The Liber
 ation Project &mdash\; most often works on the street creatively incorpora
 ting his abstract performance focused strategies\, and ritualistic actions
  with political guerilla based tactics. However\, the self-proclaimed &lsq
 uo\;street preacher&rsquo\; also presents in festivals and galleries\, usi
 ng performance and video as tools to further his praxis and ministry of so
 cial change: universal humanity\, liberation\, and a unitive &lsquo\;SOLE&
 rsquo\; awakening.</p>\n</div>\n</td>\n<td style="height: 36px\; width: 28
 9px\;"><header><button data-toggle="collapse" data-target="#yeeperformance
 ">+</button> <b><i>The So(u)le Searcher: UnEarth[ling] (The Here Lies)</i>
 </b></header>\n<div id="yeeperformance" class="collapse"><br />\n<p>Excava
 ting the universal man\, a meditative ritual activation.&nbsp\;&nbsp\;&nbs
 p\;&nbsp\;&nbsp\;</p>\n<br /><br /></div>\n</td>\n</tr>\n</tbody>\n</table
 >\n<hr />\n<p><br /><b>Sat\, Apr 15</b></p>\n<table style="width: 100%\;">
 \n<tbody>\n<tr style="height: 36px\;">\n<td style="width: 143px\; height: 
 36px\;">10am&ndash\;Noon<br />Urban Room</td>\n<td style="width: 252px\; h
 eight: 36px\;"><header><button data-toggle="collapse" data-target="#chelse
 acoon">+</button> <b>Eugene Tachinni</b><br /><i>&nbsp\; &nbsp\; &nbsp\; &
 nbsp\;New Mexico</i></header>\n<div id="chelseacoon" class="collapse"><br 
 />Eugene Tachinni was born in Shiprock\, New Mexico. He received an MFA an
 d MAT from the University of Utah. He taught several courses for a few col
 leges and universities. He now resides in Fruitland\, New Mexico and makes
  a living as an educator.&nbsp\;</div>\n</td>\n<td style="width: 296px\; h
 eight: 36px\;"><header><button data-toggle="collapse" data-target="#huntpe
 rformance">+</button> <b><i>dirt</i></b></header>\n<div id="huntperformanc
 e" class="collapse"><br />Eugene will use dirt from the Navajo reservation
  to speak about the connections and expectations as an indigenous person.&
 nbsp\;</div>\n</td>\n</tr>\n<tr style="height: 36px\;">\n<td style="width:
  143px\; height: 36px\;">10am&ndash\;3pm<br />Urban Room</td>\n<td style="
 width: 252px\; height: 36px\;"><header><button data-toggle="collapse" data
 -target="#sineadodonnell">+</button> <b>Tatiana Svrckova Larsen</b><br /><
 i>&nbsp\; &nbsp\; &nbsp\; &nbsp\;Kansas</i></header>\n<div id="sineadodonn
 ell" class="collapse"><br />Tatiana Svrckova Larsen is a Slovakia-born art
 ist known for her unique approach to art\, incorporating elements of fitne
 ss and physical movement into her work. She creates pieces that explore th
 e human body and its relationship to movement\, using mediums such as scul
 pture\, painting\, and performance art. Her work aims to create a new pers
 pective on fitness\, art\, and how they can be intertwined and also reflec
 ts on the process of overcoming burdens and physical challenges.</div>\n</
 td>\n<td style="width: 296px\; height: 36px\;"><header><button data-toggle
 ="collapse" data-target="#tachinniperformance">+</button> <b><i>Rise Above
 : A Performance Art Exploration of Overcoming Personal Challenges and Empo
 werment</i></b></header>\n<div id="tachinniperformance" class="collapse"><
 br />Rise Above is a performance art piece that invites visitors to confro
 nt and overcome their personal burdens through physical strength. Particip
 ants will engage in back squats using Olympic barbells and bumper plates o
 n which they can write their burdens. The goal of this performance is to p
 rovide people with an empowering opportunity to physically express the act
  of overcoming their burdens and promoting physical and mental well-being.
 </div>\n</td>\n</tr>\n<tr style="height: 36px\;">\n<td style="height: 36px
 \; width: 140px\;">10am&ndash\;3pm<br />Throughout the Library</td>\n<td s
 tyle="height: 36px\; width: 263px\;"><header><button data-toggle="collapse
 " data-target="#gretchenreynolds">+</button> <b>Preach R Sun</b><br /><i>&
 nbsp\; &nbsp\; &nbsp\; &nbsp\;US-based</i></header>\n<div id="gretchenreyn
 olds" class="collapse">\n<p>U.S. based conjurer\, &lsquo\;wilderness preac
 her' and 'fugitivist' &mdash\; implements and</p>\n<p>espouses: political 
 activism\, creative expression\, and spiritual (new ritual constructed) mo
 dalities as means to activate cognitive contemplation and awareness in reg
 ards to the nature of freedom\, humanity and a universal (&lsquo\;SOLE&rsq
 uo\;) consciousness. Sun\, working at the interface between &lsquo\;art&rs
 quo\;\, activism\, and spiritual practice\, simultaneously integrates and 
 deconstructs these multimodal languages of expression as means to identify
  and excavate the roots of freedom and humanity. Through acts of creative 
 consolidation involving spiritual processes of ritual\, with protest tacti
 cs and creative abstract performance strategies\, Sun also interrogates th
 e nature and limits of these roots.</p>\n<p>Preach R Sun &mdash\; continuo
 usly building upon his living body of work\, OneMan: The Liberation Projec
 t &mdash\; most often works on the street creatively incorporating his abs
 tract performance focused strategies\, and ritualistic actions with politi
 cal guerilla based tactics. However\, the self-proclaimed &lsquo\;street p
 reacher&rsquo\; also presents in festivals and galleries\, using performan
 ce and video as tools to further his praxis and ministry of social change:
  universal humanity\, liberation\, and a unitive &lsquo\;SOLE&rsquo\; awak
 ening.</p>\n<br /><br /></div>\n</td>\n<td style="height: 36px\; width: 27
 1px\;"><header><button data-toggle="collapse" data-target="#theshower">+</
 button> <b><i>The So(u)le Searcher: &lsquo\;Sole&rsquo\; File Interviews</
 i></b></header>\n<div id="theshower" class="collapse">\n<p>Video recorded 
 interviews and performative activations &mdash\; on the subject of faith\,
  humanity\, and &lsquo\;sole&rsquo\; &mdash\; conducted with various publi
 c volunteers.</p>\n</div>\n</td>\n</tr>\n<tr style="height: 36px\;">\n<td 
 style="width: 143px\; height: 36px\;">11am&ndash\;2pm<br />Urban Room</td>
 \n<td style="width: 252px\; height: 36px\;"><header><button data-toggle="c
 ollapse" data-target="#alexandrabarbier">+</button> <b>Sin&eacute\;ad O'Do
 nnell</b><br /><i>&nbsp\; &nbsp\; &nbsp\; &nbsp\;Dublin\, Ireland</i></hea
 der>\n<div id="alexandrabarbier" class="collapse"><br />\n<p>Sin&eacute\;a
 d O'Donnell\, born and living in Dublin Ireland\, is a performance artist 
 whose practice is contextual. She has made works across the globe\, integr
 ating her learning of new cultures with personal experience. Sinead uses h
 er body to create works that reference the challenging experiences that wo
 men face across the world: she gives a voice to those that have been silen
 ced. Previous works have addressed: violence\; grief\; being neuro-diverse
  in a neuro-typical world\; inclusion\; and exclusion.</p>\n</div>\n</td>\
 n<td style="width: 296px\; height: 36px\;"><header><button data-toggle="co
 llapse" data-target="#tellmesomethinggood">+</button> <b><i>between then a
 nd now</i></b></header>\n<div id="tellmesomethinggood" class="collapse"><b
 r />\n<p>I will develop a time based performance with materials and object
 s from the paternal line of my family.</p>\n</div>\n</td>\n</tr>\n<tr styl
 e="height: 36px\;">\n<td style="width: 143px\; height: 36px\;">Noon&ndash\
 ;12:45pm<br />Level 1</td>\n<td style="width: 252px\; height: 36px\;"><hea
 der><button data-toggle="collapse" data-target="#emmettwilson">+</button> 
 <b>Dawn Oughton</b><br /><i>&nbsp\; &nbsp\; &nbsp\; &nbsp\;Salt Lake City\
 , UT</i></header>\n<div id="emmettwilson" class="collapse"><br />\n<p>Afte
 r I graduated with a BA In Art Education\, I started to do workshops with 
 Marilyn Arsem and performed with OPERATIONSALT Performance Art Group for a
 bout eight years.</p>\n</div>\n</td>\n<td style="width: 296px\; height: 36
 px\;"><header><button data-toggle="collapse" data-target="#takecaretotakec
 are">+</button> <b><i>Senses and Shapes</i></b></header>\n<div id="takecar
 etotakecare" class="collapse"><br />\n<p>The title says it all!</p>\n</div
 >\n</td>\n</tr>\n<tr style="height: 36px\;">\n<td style="width: 143px\; he
 ight: 36px\;">1&ndash\;2pm<br />Auditorium</td>\n<td style="height: 36px\;
  width: 252px\;"><header><button data-toggle="collapse" data-target="#gabr
 iellecivil">+</button> <b>Jorge Rojas</b><br /><i>&nbsp\; &nbsp\; &nbsp\; 
 &nbsp\;Salt Lake City/Mexico</i><br /><br />&nbsp\; &nbsp\; &nbsp\; &nbsp\
 ;<b>Brook Neilson</b><br /><i>&nbsp\; &nbsp\; &nbsp\; &nbsp\;Salt Lake Cit
 y\, UT</i></header>\n<div id="gabriellecivil" class="collapse">\n<p>Jorge 
 Rojas is a multidisciplinary artist\, performer\, curator\, and educator f
 rom Morelos\, Mexico.</p>\n<p>Brook Neilson is a local performance artist 
 and comedian from Idaho.</p>\n</div>\n</td>\n<td style="width: 296px\; hei
 ght: 36px\;"><header><button data-toggle="collapse" data-target="#jupiter"
 >+</button> <em><strong>Requiem</strong></em></header>\n<div id="jupiter" 
 class="collapse"><br />\n<p>&ldquo\;The boundaries which divide Life from 
 Death are at best shadowy and vague. Who shall say where the one ends\, an
 d where the other begins?&rdquo\;</p>\n<p>â€• Edgar Allan Poe</p>\n<b
 r /><br /></div>\n</td>\n</tr>\n<tr style="height: 36px\;">\n<td style="he
 ight: 36px\; width: 143px\;">2:15&ndash\;2:45pm<br />Urban Room</td>\n<td 
 style="height: 36px\; width: 259px\;"><header><button data-toggle="collaps
 e" data-target="#stephaniegarcia">+</button> <b>Stephanie Garc&iacute\;a</
 b><br /><i>&nbsp\; &nbsp\; &nbsp\; &nbsp\;Salt Lake City/Mexico</i></heade
 r>\n<div id="stephaniegarcia" class="collapse"><br />\n<p>Stephanie Garc&i
 acute\;a is a multi-awarded Mexican multidisciplinary artist. Dance\, film
 \, choreography\, and more recently\, performance are the mediums Garc&iac
 ute\;a relies on to intervene in the daily basis realities of the audience
 s that witness her work. Stephanie is also a cultural manager\, producer\,
  arts advocate\, co-founder\, and co-director of Punto de Inflexi&oacute\;
 n and PROArtes M&eacute\;xico.</p>\n</div>\n</td>\n<td style="height: 36px
 \; width: 289px\;"><header><button data-toggle="collapse" data-target="#of
 renda">+</button> <b><i>Ofrenda</i></b></header>\n<div id="ofrenda" class=
 "collapse"><br /><em>Ofrenda</em> is an interactive performance where the 
 terrible is sublimated through a communal offering honoring all murdered a
 nd disappeared people for causes of violence\, feminicide\, racial crimes\
 , migration\, and other injustices.</div>\n</td>\n</tr>\n<tr style="height
 : 36px\;">\n<td style="height: 36px\; width: 143px\;">3&ndash\;4pm<br />Th
 e Plot (Outside Garden)</td>\n<td style="height: 36px\; width: 259px\;"><h
 eader><button data-toggle="collapse" data-target="#jeffhuckleberry">+</but
 ton> <b>Jeff Huckleberry</b><br /><i>&nbsp\; &nbsp\; &nbsp\; &nbsp\;Boston
 \, MA</i></header>\n<div id="jeffhuckleberry" class="collapse"><br />Jeff 
 has been performing art for the last 25 years\, both nationally and intern
 ationally. He enjoys the bicycle\, the hammer\, the saw\, the wood\, his w
 ife and son\, his family\, his friends\, his work. (&hellip\;except someti
 mes he doesn&rsquo\;t enjoy these things as much\; it depends.) He is the 
 son and grandson of far more practical people\, which he tries to express 
 in his art. His mother often thought he should stop getting naked in front
  of people and privately he thinks she is probably right\; and something a
 bout death.</div>\n</td>\n<td style="height: 36px\; width: 289px\;"><heade
 r><button data-toggle="collapse" data-target="#jeffhuckleberryuntitled">+<
 /button> <b><i>Untitled</i></b></header>\n<div id="jeffhuckleberryuntitled
 " class="collapse"><br />For this performance Jeff will make an attempt. N
 o promises.</div>\n</td>\n</tr>\n</tbody>\n</table>\n<!--\n<p><em>Made pos
 sible in part by the <a href="http://saltlakearts.org/">Salt Lake City Art
 s Council</a>.Â Â </em></p>\n</div>\n--></div>\nhttps://slcpl.libnet.i
 nfo/event/8094869
URL;VALUE=URI:https://slcpl.libnet.info/event/8094869
ATTACH:https://static.libnet.info/images/events/slcpl/MAIN_PAF_2023.png
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