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DTSTAMP:20260802T044919Z
DTSTART;TZID=America/New_York:20240206T183000
DTEND;TZID=America/New_York:20240206T193000
SUMMARY:Remembering the Black Arts Movement Symposium: The Poetry of Amiri
  Baraka
LOCATION:Oxon Hill\nOxon Hill
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Oxon Hill;X-APPLE-RADIUS=1
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GEO:38.803456;-76.983874
DESCRIPTION:Celebrate Amiri Baraka's impact on the Black Arts Movement wit
 h captivating poetry readings and an insightful panel discussion led by es
 teemed community leaders. This program honors Baraka's legacy and explores
  its enduring influence on contemporary artistic and social landscapes..\n
 https://pgcmls.libnet.info/event/9711401
X-ALT-DESC;FMTTYPE=text/html:<p><img src="https://static.libnet.info/front
 end-images/editor/pgcmls/Amiri.jpg" width="510" height="340" alt="" /></p>
 \n<p><em><a href="https://www.poetryfoundation.org/poets/amiri-baraka">Pho
 to source</a></em></p>\n<p>Poet\, writer\, teacher\, and political activis
 t <strong>Amiri Baraka</strong> was born Everett LeRoi Jones in 1934 in Ne
 wark\, New Jersey. He attended Rutgers University and Howard University\, 
 spent three years in the U.S. Air Force\, and returned to New York City to
  attend Columbia University and the New School for Social Research. Baraka
  was well known for his strident social criticism\, often writing in an in
 cendiary style that made it difficult for some audiences and critics to re
 spond with objectivity to his works. Throughout most of his career\, his m
 ethod in poetry\, drama\, fiction\, and essays was confrontational\, calcu
 lated to shock and awaken audiences to the political concerns of black Ame
 ricans. For decades\,&nbsp\;Baraka was one of the most prominent voices in
  the world of American literature.</p>\n<p></p>\n<h4 style="padding-left: 
 30px\;"><strong>Panelists</strong></h4>\n<p style="padding-left: 30px\;"><
 strong>Kenneth Carroll</strong>&nbsp\;is a native Washingtonian\, writer\,
  and youth development specialist. His writings have appeared in numerous 
 literary journals\, national magazines\, and newspapers. He was a 2021 nom
 inee for the Pushcart Poetry Prize and the 2021 Blood Orange Review winner
  in fiction. He received the White House Humanities Award for his youth li
 teracy work while director of DC WritersCorps. He is the former director o
 f the African American Writers Guild and has performed at the Kennedy Cent
 er\, Nuyorican Caf&eacute\;\, Library of Congress\, universities\, and cul
 tural institutions around the country. His book of poetry is entitled&nbsp
 \;So What: For The White Dude Who Said This Ain&rsquo\;t Poetry.&rdquo\;</
 p>\n<p style="padding-left: 30px\;"><strong>Thomas J. Porter\,</strong>&nb
 sp\;a seasoned leader and visionary in the realms of entertainment\, broad
 casting\, and public service\, has built a distinguished career marked by 
 a commitment to community engagement and cultural enrichment. Currently se
 rving as the President of SonBoy Entertainment and SonBoy Records since 19
 95\, Thomas has demonstrated an unwavering dedication to the arts. His lea
 dership has been instrumental in fostering a platform that supports and pr
 omotes diverse talents within the entertainment industry.&nbsp\;</p>\n<p s
 tyle="padding-left: 30px\;">Before venturing into the entertainment sector
 \, Thomas held the position of Executive Director at the National Jazz Ser
 vice Organization from 1993 to 1995. During this time\, he played a pivota
 l role in advancing the appreciation and understanding of jazz\, contribut
 ing to the cultural tapestry of the nation. Prior to his work in jazz\, Th
 omas served as the Executive Director of the National Association of Black
 s in Public Broadcasting from 1991 to 1993. His advocacy for equitable rep
 resentation in media showcased his commitment to amplifying Black voices w
 ithin the public broadcasting landscape.</p>\n<p style="padding-left: 30px
 \;">In the early 1990s\, Thomas took on the responsibilities of General Ma
 nager and Program Director at WPFW Pacifica Radio\, leaving an indelible m
 ark on the station's programming and community engagement efforts. Thomas'
 s foray into politics saw him as the Democratic Candidate for the U.S. Hou
 se of Representatives in the 2nd District of Ohio in 1984\, showcasing his
  dedication to public service.</p>\n<p style="padding-left: 30px\;">His jo
 urney in leadership began earlier in his career as the Executive Director 
 of the Martin Luther King\, Jr. Center for Social Change in Atlanta\, GA\,
  from 1972 to 1973. During this period\, Thomas actively contributed to th
 e center's mission of fostering social change and advancing the legacy of 
 Dr. Martin Luther King\, Jr. Throughout his multifaceted career\, Thomas J
 . Porter has consistently demonstrated a passion for the arts\, a commitme
 nt to community development\, and a dedication to promoting diverse voices
  in various spheres of influence.</p>\n<p></p>\n<p></p>\n<p><em>Rememberin
 g t</em><em>he Black Arts Movement</em><em> is a multi-day symposium that 
 presents panels\, readings\, and discussions centered on the writers\, wor
 k\, and impact of the Black Arts Movement. This movement\, named for a gro
 up of motivated Black poets\, artists\, dramatists\, musicians\, and write
 rs\, emerged in the wake of significant civil rights activism and legislat
 ion. The event will shine a spotlight on the work and impact of notable wr
 iters from the movement\, including Nikki Giovanni\, Amiri Baraka\, Ntozak
 e Shange\, Gil Scott-Heron\, Sonia Sanchez\, and Audre Lorde. Each day is 
 designed to provide community members with the opportunity to meet each ot
 her\, learn about the profound influence of the Black Arts Movement\, and 
 connect with local artists\, scholars\, and historians based in the DMV.</
 em></p>\nhttps://pgcmls.libnet.info/event/9711401
URL;VALUE=URI:https://pgcmls.libnet.info/event/9711401
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